Long Finish: Famed Local Home Winemaking Team Bids Adieu to Members

By Gabe Saglie
(published in the Santa Barbara News-Press on July 8, 2012)

At a quaint gathering at Montecito’s Casa Dorinda Saturday afternoon, eight men gathered for an official changing of the guard.  Five of them have been calling themselves Los Cinco Locos – or the Five Crazy Guys – for almost 15 years, and producing stellar wine.  The other three are, respectfully, waiting in the wings and ready to take over and carry this quirky yet accomplished label forward.
The Original Cinco Locos
The original fab five – Dr. George Primbs, Howard Scar, John Van Atta, Dick Shakowitz and Lou Weider – have managed to create one of the most respected home winemaking operations in the country.  Their adventure began in the mid 1990s, when Mr. Weider and Mr. Shakowitz, both of Montecito, met overseas on a tour through Europe. The former was an investor in a 500-acre vineyard in Paso Robles called Rancho Tierra Rejada and his new acquaintance became instantly excited about turning that investment into an enjoyable leisure pursuit.  He wanted to turn those grapes – which until then had been exclusively sold to wineries throughout the state – into their own wine. Upon their return, the two convinced a trio of friends to join in their new winemaking enterprise.
   
As luck would have it, Mr. Scar was in the midst of renovating a small horse stable at his Montecito home, and coaxing him to transform it into a winemaking facility, instead, was easy. Dr, Primbs, a successful ophthalmologist and eye surgeon, was brought in for his extensive wine knowledge.  And Mr. Van Atta, whose PhD in biophysics had led to a decorated career developing food products for major companies like Quaker Oats, was embraced by the group for his knack for chemistry.


After the purchase of several barrels – all French – and some basic equipment, Los Cinco Locos began making wine.
   
Their label launched with the 1998 vintage and featured cabernet sauvignon, syrah and merlot sourced from Rancho Tierra Rejada.  Soon, they’d start sourcing pinot noir from top vineyards in the Santa Rita Hills and the Santa Maria Valley.  Their total production would quickly grow to about 250 cases a year.
   
Because Los Cinco Locos are home winemakers, they’ve never been able to sell their wine retail, or for profit.  Instead, the five split their production, keep a few cases for their personal enjoyment, and then donate the rest to causes that are important to each.  And therein lays the success, if not the fame, of this special little label.

Over the years, Los Cinco Locos wines have been featured at major auctions and wine events throughout the state.  Their first was a fundraiser for the Music Academy of the West, where Doug Margerum, then-owner of the Wine Cask, won a case of wine that soon after sold for $115 a bottle at his landmark Santa Barbara wine shop.  Dr. Primbs donates a case every year to the Taste of the Vine – an event to benefit the Sansum Diabetes Research Institute – where it usually goes to the highest bidder for about $1400.  Mr. Scar once donated a case to an auction benefitting Scripps Health in San Diego, and it went home with a donor who paid $10,000 for it.

The winemaking five estimate that the wines they’ve donated over the years have helped raise more than $300,000 dollars for causes close to their hearts.  That – along with dozens of medals (gold, mostly) from high-profile home winemaking competitions – made this trip well worth it for them, they say.  In the large home winemaking community, it’s made their Los Cinco Locos label an esteemed endeavor, and a household name.

But now, as these five friends sit under shady trees at Casa Dorinda and around a table teeming with open bottles of Los Cinco Locos wines dating back to 2005, a new reality is setting in.  Three of them – for reasons both health-related and personal – have decided to end their winemaking ways.  They’re in their 70s and 80s, and younger men will be taking their place.

Two of the originals – Mr. Scar, 81, and Dr. Primbs, 82 – are staying on and initiating three men who’ve actually been helping them with winemaking operations for several years.  It turns out that much of the Los Cinco Locos lore over the years has revolved around the parties that have always ensued around the crushing of the grapes, filling of the barrels and bottling of the wines.  “I have an email list of 200 people who always want to know when we’re doing the crushing,” says Mr. Scar with a laugh.  “And we’ve always had five to 30 people come out to help.”  Those get-togethers, though wrought by the need for often-rigorous manual labor synonymous with making wine, became legendary for the food and wine, and for the parties, they’d foster. 

New Members of Cinco Locos
“It’s a lot of fun, but I soon realized they were using me,” says Jayce Yoder, 51, a plumbing contractor who’s been joining the fab five for harvest work since 2002, and who can now officially call himself one of Los Cinco Locos.

John Holmes, 51, has been taking part in the harvest frolic since 2007.  “At first, I just wanted to learn about fermentation because I wanted to distill whiskey,” says Holmes, an insurance broker, and a new Cinco Loco.  “Actually, I never really liked wine, until I met these guys and started drinking better wine.”

Chip Eckert, 52, has been helping Los Cinco Locos with harvest for only two years, but he’s been buying their wine at charity auctions for many years.  “It’s great wine,” says the fourth-generation Goletan.  His excitement about joining the team hinges in large part on the label’s focus on charity.  “That’s what it’s all about: giving back, promoting good causes and having fun learning about making wine.”  And he’s quick to add, with a smile, “Oh, and tasting really good wine.”

Currently, Los Cinco Locos have four wines in the eight barrels at Mr. Scar’s stable-turned winery: a cabernet sauvignon, a merlot and a syrah from Mr. Weider’s former vineyard (it’s now under new ownership and called Shimmin Canyon Vineyard) and a pinot noir from the popular Kick On Ranch Vineyard in Los Alamos.  They’ll be put in bottle – during another one of those fabulous work parties – this fall, to make room for the 2012 vintage grapes.  In the future, the new team may expand their portfolio to dabble more heavily in zinfandel and red blends, and will continue to seek out new sources for fruit.

But what matters most for the future of the label may be the enthusiasm the new members bring with them.  “When the original five of us started, we just did it for fun, and then it became something special,” says Mr. Scar.  “These guys are coming in with that passion already there, and that’s great to see.”

Fresh Faces: 10 Santa Barbara Winemakers Under 35

By Gabe Saglie
(published in the Santa Barbara News-Press on July 8, 2012)


Youth has always been synonymous with Santa Barbara wine country.  It is, after all, one of the newest wine grape growing regions in the state, with experimental plantings beginning in the late 1960s and significant winemaking in effect for the last 35 years ago.  Comparable ventures in places like Napa and Sonoma have been underway for at least three times as long.

Pioneers still make headlines here, with recognizable names like Sanford, Longoria, Brown, Brander and Lindquist.  Their wines still draw accolades.  And their tasting rooms still draw crowds.

But there’s a fresh energy budding in Santa Barbara’s vineyards.  A new wave of talent is taking root.  They are younger winemakers – some women, mostly men – who are tipping their hats to their predecessors but who are also staking a territory all their own.  They are focusing on innovation – new techniques, new growing regions, new grape varieties – while embracing a tradition some 35 years in the making.  Here’s a look at 10 of them – all age of 35 and under – whose wines, and whose vision for the future of Santa Barbara winemaking, are quickly creating a buzz.

Drake Whitcraft
Drake Whitcraft, 30
Name recognition has helped Drake Whitcraft gets his start; his father, Chris Whitcraft, after all, remains one of the most treasured names in local winemaking, with some of his first stellar chardonnays dating back to the late 70s.  But the Whitcraft label’s recent triumphs – the younger Whitcraft has been producing the entire portfolio since 2008 – have to do with a knack all his own.  At 30 now, Whitcraft admits that entering the winemaking scene happened “a lot sooner” than he expected; he plunged into the family business when a series of health crises forced his dad to pull way back.  But he’d always known he’d be making wine – he started helping in the winery at age 11 – and what he brings to the table is a fresh new focus for a longstanding brand.  A wider variety of reds are in Whitcraft’s future – syrah, grenache, nebbiolo – and leaner production numbers.

But the famous Whitcraft spotlight on pinot noir is not going anywhere, thanks in part to more high-end fruit sources coming online.  “When my dad was around, there were three or four good vineyards, and now there are so many more,” Whitcraft says.  “Pinot is the most terroir-driven wine there is and they all taste totally different here.”

He credits his father with instilling an uncompromising focus on hands-off winemaking, and winemakers like Rick Longoria and Foxen’s Bill Wathen for showing him the “right kind of camaraderie” among winemakers.

The Whitcraft tasting room is located at 36 S. Calle Cesar Chavez in downtown Santa Barbara.  www.whitcraftwinery.com.


Tessa Marie Parker
Tessa Marie Parker, 25
Name recognition won’t hurt Tessa Marie Parker, either.  Her grandfather, Fess Parker, gained fame on myriad fronts – from film to wine – and her father, Eli Parker, has long garnered accolades for his Epiphany label.  So Ms. Parker admits her foray into making wine was “a natural evolution.”

But her label, Tessa Marie Wines, is gaining singular attention for wines that are very personal to the winemaker.  “I’m a true California girl so I like my Cal-Italian wines, and sangiovese is my love” she says.  Ms. Parker bottles a sangiovese and a blend dubbed Coquette that features a sangiovese-syrah blend.  She’s also one of the very few local winemakers producing a vermentino.  “My pride and joy,” she calls it. 

The young vintner worked her first harvest at age 17, launched her label in 2005 and opened her Los Olivos tasting room – at 2901 Grand Ave. – two years ago. 

She’s aware women are outnumbered in the local winemaking scene, but undaunted.  “It’s a man’s world, but we’ve got a softer touch and bring something different to the table to spice things up.”  Her attention, instead, is on the future.

“This area allows young people to get a start,” she says.  “I even see it in some of the high schools, where students can tend their own grapevines.  You can catch the bug and learn to do things a little bit differently than everyone else.”  www.tessamariewines.com.


Gavin Chanin
Gavin Chanin, 26
Gavin Chanin was at the right place, at the right time, when he took a summer job between high school and UCLA.  He got a volunteer gig at Au Bon Climat and Qupe, and learned the ropes from winemaking legends Jim Clendenen and Bob Lindquist.   “When I was doing the drive up from L.A., I didn’t have it in mind to be a winemaker, it was just a fun summer job,” he recalls.  “But two weeks in, I realized I was in a special place and I fell in love with the work.”

Chanin has quickly become one of the more buzzed-about winemakers in the county.  Just last year, for example, Forbes put him on their “30 Under 30” list of names in the U.S. culinary industry to watch.  “The goal was never to get a bunch of press,” he insists.  “It just happened as a result of hard work in the vineyards and the cellar.”

The work has a clear focus: pinot noir and chardonnay only, “and wines with balance and elegance,” he says.  In fact, “pinot is the ultimate grape through which to manifest a vineyard,” he declares, and believes there are many prime sites for growing it even in Santa Barbara County that are yet undiscovered.

Chanin Wines launched in 2007, when its namesake vintner was just 21 and had just returned from wine immersion trips to South Africa, New Zealand and Europe.  The wines – Chanin produces 1000 cases annually – are made in a new facility built on Bien Nacido Vineyard in Santa Maria. Chanin also launched a partnership with well-known investor Bill Price; their label is yet unnamed, but “the impetus are the vineyards we source,” he insists, “not the brand.”  www.chaninwine.com.


Trey Fletcher
Trey Fletcher, 31
Trey Fletcher has only lived in Santa Barbara County for a year, but he marvels at the “tremendous amount of camaraderie” that exists among local winemakers.  “There is competition, but not without mutual respect,” he says.  “And we’re all freaks,” he adds with a laugh, “completely obsessed.”

Fletcher’s burgeoning career has taken him to the vineyards of Argentina, Switzerland and New Zealand.  Last year, he left the cellars at Littorai in Sonoma – a premier producer of pinot noir and chardonnay in the world – to make wine under the personal labels for Bien Nacido and Solomon Hills.  The names have long been coveted grape sources for winemakers locally and across the country.  Now, the Miller family of Santa Barbara, which owns both vineyards, earmarks acreage on each for their own private labels.

Fletcher considers the chance to work with such famous fruit, “humbling and exciting.”  The combined annual production is 1000 cases: chardonnay and pinot from each property, as well as syrah and grenache from Bien Nacido.  The 2011 vintage is in barrel now; the 2010 chardonnays and 2009 pinots and syrah will be debuted this fall.

Fletcher strives for “wines that are true to the vineyards” and a style that is “terroir-focused.”  And he believes in a minimalist winemaking approach.  “It’s having the guts to fly into the black hole, for sure,” he says, “but it’s not really a gamble if you have good farming practices.”  www.biennacidovineyards.com.


Ernst Storm
Ernst Storm, 33
Storm studied winemaking and worked two vineyards in his native South Africa before moving to California in 2003.  “I wanted to explore wine in the Northern Hemisphere,” he recalls.  He made wine in Northern California before the Firestone family hired him in 2005.

Storm admits he’s drawn the cooler grape growing climates; his native country and Santa Barbara share similarities in that respect.  “But the soils here are different,” says Storm, “and there are many microclimates within the one large area.”  In fact, Storm predicts the next few years will see several appellations break out from within the Santa Ynez Valley and even the Santa Rita Hills.

When the Firestones sold the Firestone wine label in 2008, Storm took over winemaking duties at the Firestones’ Curtis label, under the tutelage of Chuck Carlsson.  He works simultaneously on his own eponymous label – Storm Wines – which dates back to 2006 and allows Storm to “really go extreme with my philosophy, making wines that are unmanipulated, with lower alcohols, that have personality of vintage and site, and that are food-friendly and balanced.”  His annual production, with a focus on pinot noir and an increasingly sought-after sauvignon blanc, is 500 cases.

Storm admits he, and other younger winemakers, are “pushing the envelope” of winemaking.  And “it’s nice to see,” he says, “that a lot of the region’s pioneers are embracing us.”  www.stormwines.com.


Graham Tatomer
Graham Tatomer, 33
When he was 16, a summer job at Santa Barbara Winery was just a way to make money for Graham Tatomer.  “It was my first paycheck!” he recalls.  But a post-graduation full-time job under then-assistant winemaker Greg Brewer got him hooked.

Today, Tatomer oversees production of all of Brewer’s celebrated labels: Melville, Brewer-Clifton and Diatom.  But his spare time is dedicated to his own namesake label – Tatomer – which is quickly winning praise for a focus very much unique to Santa Barbara: dry riesling.

Tatomer’s passion for Alsatian wines comes from several vineyard stints in Austria.  Between 2003 and 2008, he traveled back and forth several times between Santa Barbara County (where he’d land periodic stints with winemaking phenom Adam Tolmach) and the Danube-adjacent Wachau valley.  By 2008, the decision to settle locally rather than oversees was driven by the discovery of Kick On Ranch, a cool climate vineyard near Vandenberg Air Force Base.  The 2010 release of his ’08 vintage riesling garnered immediate media acclaim.

This year, Tatomer is working on six Austrian-inspired wines – four rieslings and two gruner veltliners.  Niche varietals that aren’t always an easy sell; in fact, Tatomer lightheartedly dubs them “the last of the true, noble, high echelon varieties that no one is taking seriously in America.”  But his prediction is that Santa Barbara County will grow them in more and more “appropriate places” in the years to come.  www.tatomerwines.com.


Ryan Carr
Ryan Carr, 35
Today, Ryan Carr manages 15 vineyards – more than 100 acres of premium grapes throughout Santa Barbara County.  He got into the business when he was 22.  And back then, “I didn’t expect it to turn into winemaking for me,” he admits.

But Carr has quickly become one of the most buzzed-about winemakers in the area, with a portfolio that includes award-wining pinot noir, cabernet franc and syrah.  He runs two tasting rooms, one in downtown Santa Barbara and a newly-opened storefront in downtown Santa Ynez.

His first commercial vintage was in 2000 and what drew him to making wine, not just growing grapes, was “Santa Barbara, itself,” he says, “and the uniqueness of the area.  We have so many great microclimates that we can grow many varietals well, and I get to work with so many different locations, it makes it fun.”

Carr acknowledges the inspiration of older counterparts, like Chris Whitcraft, Craig Jaffurs and Daniel Gehrs.  And while he admits winemaking has become much more competitive, Santa Barbara still offers nascent winemakers “an opportunity to get involved.”

In fact, he sees the area’s future hinging less on availability of talent and more on climate change.  “The last three years, the weather has been a constant challenge,” he says, “and if things warm up, we may have to rethink the varietals we plant.”  www.carrwinery.com.


Justin Willett
Justin Willett, 31
Justin Willett’s foray into wine involved “buying some pretty inexpensive bottles with my roommates in I.V.,” recalls the UCSB grad.  But stints as a bartender in Santa Barbara and, mainly, high-end restaurants in L.A. introduced him to wines that would eventually serve as inspiration.  And today, Willett is quickly gaining high acclaim for his own red and white creations.

The self-declared “local boy” made his first wines in 2005 – just 190 cases – while he was assistant winemaker at Arcadian, under Joe Davis.  Today, Willett makes wine for several clients – all in his own Lompoc facility – to the tune of some 2000 cases a year.  His own label is dubbed Tyler (that’s his middle name).

Pinot noir and chardonnay have been his claim to fame thus far.  For Tyler, his sources grapes from top-tier local wineries, like Clos Pepe and Dierberg.  He’s also launching the estate program for the renowned La Encantada Vineyard (planted in 2000 by Richard Sanford) this year.  And joint ventures with several renowned sommeliers from San Francisco to New York City have him branching out to other varieties, like chenin blanc and cabernet franc.

There’s no mistaking Willett’s philosophy: “It’s about properly conveying places through wine, and moving away from too much oak or ripeness or extraction,” he says.  And he says he’s in the perfect place to do just that. 

“Santa Barbara has the most potential than any region in California,” he declares.  “There’s an aromatic profile here, and a freshness and a minerality that simply does not exist anywhere else.”  www.tylerwinery.com.


Dave Potter
Dave Potter, 33
It’s impossible to overlook the quirky labels on Dave Potter’s wine labels.  “I take the craft seriously, but I also have fun with presentation,” says the man behind Municipal Winemakers, whose Funk Zone tasting room (as 22 Anacapa St.) has easily become one of the hippest spots to buy and sip wine in downtown Santa Barbara.  The facility is open until 11pm some nights.

Potter’s produces his own label, which he launched in 2007, while maintaining duties as assistant winemaker at Fess Parker Winery.  It’s inspired by Potter’s adventures in France and Australia, where he earned his enology degree.  “My style has a French-Aussie vibe,” he says.

He makes celebrated blends, works with “odd ball, big Rhones” like cinsault and counoise and loves making riesling (he makes two).  He sees riesling as a grape to watch, but admits its future locally may hinge on economics.  “It’s very site specific, and the Santa Rita Hills is a great place for it,” he says.  “But if you can get $20 for a bottle of riesling or $35 for pinot, what would you plant?”

He touts the area’s grape diversity but admits variety can also make branding a clear identity a challenge.  “As a producer, though, it’s a lot of fun,” he admits.  And he likes working alongside older counterparts.  “The founding fathers of the area are still making wine,” he says.  “You can’t find that in any other region as recognized as Santa Barbara.”

Potter’s yearly production is about 1200 cases, all sold direct through the tasting room.  www.municipalwinemakers.com.


Chase, Brooke and Mike Carhartt
Chase Carhartt, 23
What Chase Carhartt lacks in experience, he makes up with unbridled enthusiasm.

Carhartt was just seven years old when his parents, Brooke and Mike, planted their Santa Ynez Valley vineyard.  Early on in the family business, “I did things like punch downs and helped where I could,” he recalls.  “But all the pieces didn’t come together until I took it seriously in school.”  Carhartt graduated just last month from Cal Poly San Luis Obispo with a bachelor’s in agriculture with a sub-concentration in enology; he also completed a harvest internship in South Africa.

So now, the future is wide open for Carhartt, who plans on collaborating with his mother, the Carhartt label’s winemaker, and known for stellar estate sauvignon blanc, syrah and merlot.  He likes that his family sells all their wine direct to consumer through their Los Olivos tasting room, at 2990 Grand Ave.  “It’s taking wine sales back to its roots,” he says.  And he’s already spending several days of the week there, engaging visitors and selling wine.

Carhartt’s biggest asset right now may be his fresh approach.  “The wine industry has to humble itself and focus on promoting comfortability,” he asserts.  And he touts the region’s wide range of growing conditions.  “What’s cool is that we don’t have to outsource,” he says.

But there’s no escaping the call of his young age.  With a laugh, he admits, “I want to work but I still do want to travel and find other ways to express my youth!’  He’ll be working harvest in France this fall.  www.carharttvineyard.com.

Winemakers Unite: Santa Barbara Urban Wine Trail Becomes Official

By Gabe Saglie
(published in the Santa Barbara News-Press on June 29, 2012)


For several years, the term “Santa Barbara Urban Wine Trail” has been used generally to define a burgeoning group of in-town wineries and tasting rooms.  “We were a loose group of winemakers, all friends, getting together every so often to create a map, or do some joint advertising and events,” recalls winemaker Ryan Carr, who’s been making wine downtown since 2005 and who established his namesake tasting room on N. Salsipuedes Street in 2007.

But the Urban Wine Trail became an officially incorporated group of like-minded wine producers just last month, creating an effective, organized team that now hopes to better communicate with each other and better promote downtown wine tasting to tourists.

“The growing number of tasting rooms just made it necessary to set up an organization with structure, so we can bring more business and traffic to the area,” says Carr, who chairs the new group.

The SBUWT brings together an impressive 17 member wineries, all with a downtown presence.  Each member is required to hold a locally-based winegrowers’ license and whose annual production must include at least 75% Santa Barbara-sourced grapes.  And the group is non-profit, with annual dues going toward joint marketing, including a comprehensive touring and tasting map of the downtown Santa Barbara area. 

Among the members is Santa Barbara Winery, which for many years was the only downtown tasting option for wine aficionados; it was established at its Anacapa-Yanonali location way back in 1964.  Some longstanding labels in the regional winemaking scene are also members, including Jaffurs (which launched its winemaking facility on E. Montecito St. in 2001) and Whitcraft (with a winery and tasting room on S. Calle Cesar Chavez).  And there are some newer players, too, like Cottonwood Canyon, Municipal Winemakers and the cultish Sanguis.

“As more projects and efforts get put together, I think the group will start to have an impact,” says Garreth Conway, whose family’s Deep Sea Tasting Room opened right on Stearns Wharf last September.  “We can give people the impression that Santa Barbara really is the gateway for wine tasting here in California.”

The newest downtown tasting room was launched by Grassini Family Vineyards over the Memorial Day weekend.  The steady foot traffic it’s seen since has a lot to do with its central location off State Street, in the El Paseo Courtyard.  But much of it is also due to “help from other tasting rooms,” says CEO Kate Grassini, “who are always sending people over to us.”

Grassini’s family owns an esteemed vineyard in the Santa Ynez Valley, which is planted to sauvignon blanc and cabernet sauvignon.  She touts the much larger tasting scene in towns like Los Olivos and Solvang, which rewards an extra 45-minute drive north of downtown Santa Barbara with many more tasting venues.  But she says strict ordinances are making it increasingly tough for wine producers in North County to open tasting rooms on their own properties.  By comparison, the growing cluster of Santa Barbara tasting rooms offers travelers a convenient option and, therefore, a special business opportunity.

“People love wine tasting, but they usually want to do it as part of whole downtown experience, not just by visiting one place,” says Grassini, touting the merits of joining the new SBUWT.  “As a group, we can emphasize our diversity to consumers, so they can taste Bordeaux wines at one place, try Rhones next door, and so on.  And then they can cross the street and watch a movie!”

Carr, who recently opened a second tasting room in downtown Santa Ynez, agrees.  “While many guests love to make the trip out to wine country, we understand that sometimes there’s not enough time,” he says.  “The Urban Wine Trail is a great alternative to sip and savor all the amazing wines coming from our region.”

Most of the group’s member wineries are located in the city’s expanding Funk Zone, the eclectic precinct that abuts the waterfront that also houses artists’ studios, quirky shops and enterprising restaurants.  It affords tourists the chance to get around casually, and by foot, bike or pedi cab.  And it affords them the quick detour – beach, anyone? – with ease.

To celebrate their new association, the SBUWT wineries are hosting their first Passport Weekend, July 27-29.  For $50, guests will have the three days to visit all 17 tasting rooms, which will be hosting special events, from live music to barrel tastings.  “It’s going to be very relaxed, so people can take their time at each location,” says Carr.  And to make getting around easier, pedi cabs will be offering free rides throughout the weekend and an official trolley will be looping the trail. 

For passport purchase and more information, check out www.urbanwinetrailsb.com.

In the Spotlight: Annual Event Celebrates Chardonnay

By Gabe Saglie
(published in the Santa Barbara News-Press on June 25, 2012)


No doubt about it: chardonnay remains king among grapes.  It is still the top selling wine in the country.  And in Santa Barbara County, it is the most widely planted grape variety; the Santa Barbara County Vintners Association says more than 7000 acres of the popular white wine grape are planted throughout the region.

But at the same time, chardonnay has suffered a bit of an image issue, lately.  “We’re certainly cognizant of the fact it’s fallen out of style in certain circles and become somewhat of a punching bag,” admits Nicholas Miller, whose family owns three of celebrated Santa Barbara County vineyards, including famous Bien Nacido, which is planted mainly to chardonnay.  He attributes the seeming wave, recently, away from chardonnay in favor of other white wine varieties to a skewed focus by many wine producers.

“Many wineries started seeing [chardonnay] as just a cash flow wine instead of a centerpiece, and that ocean of chardonnay in the marketplace turned some people off,” he says.  “But people tend to be turned off by categories instead of by certain styles of wine.  The fact is that wineries that have built their programs around high end chardonnay – Au Bon Climat, Littorai, Kistler – those programs never really fell out of style.”

Indeed, chardonnay is consistently seen – both by industry stalwarts and savvy consumers – as a wine of diversity and distinction, of complexity and value, and as an especially food-friendly beverage.  And the Santa Maria Valley – with its special soils and unique maritime weather influences –is consistently regarded as one of the premier regions in the state to grow it extremely well.  So it makes sense that this is where a new movement is afoot to bring a fresh focus to this coveted grape.

The Chardonnay Symposium enters its third year next weekend when it welcomes hundreds of chardonnay fans, and many of the chardonnay-curious, to the Santa Maria Valley.  It’s the brainchild of the Santa Maria Valley Wine Country Association.  And it holds an important distinction: it’s the only gathering in the country with a distinct focus on chardonnay.

“There are multiple events dedicated to pinot noir, and there are Rhone events and Italian wine events, and there are zin festivals,” says Miller.  “But chardonnay was a gap not being filled, and it’s one of the real strong points of Santa Maria.”

The three-day affair is expected to draw some 400 people.  It begins Friday, June 29, with a Santa Maria-style BBQ at Sierra Madre Vineyard, where attendees will bring a bottle of their favorite chard to share.  And it ends Sunday, July 1, with an open-air chardonnay brunch at Cottonwood Canyon Vineyard and an afternoon pops concert by the Santa Maria Philharmonic – with more chances to sip on chardonnay – at Tres Hermanas Vineyard.

But the pinnacle of this year’s event will be Saturday, June 30, when consumers will get unprecedented access to some of the most revered chardonnay makers in the state, and to the wines that have made them famous.  The day at Byron Vineyard begins with a panel session led by popular wine blogger and Senior West Coast Editor for Wine Enthusiast Magazine Steve Heimoff.  It’ll feature chardonnay superstars like Bill Wathan of Foxen and Bob Cabral of Williams Selyem, and is dubbed “Chardonnay and Terroir: What’s it All About?”

The afternoon Grand Tasting at Byron will feature dozens of chardonnay samplings from 50 wineries, and foods to match.  Guest chefs will share chardonnay food pairing tips under a demonstration tent.  And the open setup will offer visitors spectacular views of the valleys of Santa Maria.

The evening will be marked by a pair of wine dinners featuring the chardonnays of Kenneth Volk Wines (this dinner is already sold out) and Riverbench Winery.

“This is going to be an eye opener, a chance for people to taste and learn all that can be done with chardonnay,” says Laura Mohseni, general manager at Riverbench.  “And it gets winemakers excited about making chardonnay again.”

Event pricing varies.  The Friday night BBQ at Sierra Madre is $30, the Saturday Grand Tasting at Byron is $55 (or $65 at the door) and the Sunday brunch at Cottonwood is $30.  Buy tickets online at www.thechardonnaysymposium.com.

Tiny Bubbles, Big Deal: Local Winery Steps Up Sparkling Wine Program

By Gabe Saglie
(published in the Santa Barbara News-Press on June 21, 2012)


Riverbench just became the latest Santa Barbara County winery – and one of a very few – to take bubbles seriously.

“The idea started for completely selfish reasons,” general manager Laura Mohseni tells me with a laugh.  “I just love drinking sparkling wine and my bosses are very indulgent.”

The new Riverbench lineup of sparklers was released just a few days ago at an industry gathering at its Santa Maria tasting room.  The trio – under a label playfully dubbed “Cork Jumper” – includes a blanc de blancs and a slightly sweeter blanc de blancs demi-sec, both chardonnay-based, as well as a rosy blanc de noirs, made from pinot noir grapes.  All are made entirely from proprietary fruit.

What’s exciting about this project, especially for those of us who love to sip on bubbly throughout the year (and not just on special occasions), is that it helps fill a gaping hole in Santa Barbara wine production.  True, several of our great local winemakers have, in fact, ventured into sudsy territory; talents like Chris Whitcraft, Blair Fox, Dave Potter and Steve Clifton have dabbled in bubbles.  But much of it, at least thus far, has been a singular endeavor, if not an arbitrary one on random vintages.   Norm Yost has, for many years now, been very much a lone local crusader in this arena, producing remarkable sparkling wines under his Flying Goat label.  So to have another player enter the fray with a plan to make three distinct bubblies – and to make them annually – is a boon for the industry, not to mention the palates of many a thirsty consumer.

This project started as an experiment of sorts in 2008.  Yost was sourcing some of the grapes for his own sparkling wines from Riverbench’s neighbor, Sierra Madre Vineyards.  So the thought struck Mohseni: how would sparkling wine made from their own estate fruit fare? 

Riverbench released a single Cork Jumper blanc de blancs in 2008 and then again in 2009, and the acclaim was swift and upbeat.  The wines enjoyed the added triumph of being the county’s first ever certified sustainable sparkling wines.  Riverbench, which was originally planted in 1973 and saw a second round of plantings in 2007, has long been known for its environmentally minded grape growing.

With back-to-back experiments a success, the 2010 vintage gave birth to a far more committed sparkling wine program at Riverbench.  The Blanc de Blancs (171 cases, $35) is a graceful  embodiment of the natural brilliant acidity found in the winery’s estate chardonnay grapes; elegant yeastiness and a bright mouth feel prevail, as well as clean tropical and citrus flavors.  The Blanc de Blancs Demi-Sec (99 cases, $32) is very similar in mouth feel and enjoys that traditional soft sweetness without being cloying.

The crowning achievement of the 2010 Cork Jumper series may be the pinot-based Blanc de Noir (354 cases, $45).  Vibrant and fun, yet complex and sophisticated.  Mohseni marvels at the “pomegranate and tangerine flavors we don’t normally see in our still wines.” 

Riverbench winemaker Clarissa Nagy is also touting the new sparklers, and she is excited at the “killer response” they’ve received early on.  (Like Mohseni, she’s an unabashed fan of regular sparkling wine consumption.)  She joined the winery just late last year, so she didn’t get to share in the production of the 2010 bubbles.  But she’ll be spearheading the program each vintage moving forward.

Making sparkling wine is “definitely tougher, more expensive, and more time consuming” than making still wines, she tells me.  That may account for its very limited production, locally.  “It’s a labor of love for sure,” she adds.  But based on the wines’ merits early on, and because “people do like to drink local,” Nagy is confident the program will gain consumer traction quickly.

Each vintage, Nagy will be in charge of making the sill base wines.  When I ask her if she’ll source grapes earmarked for sparklers any differently, she says, “I might pick fruit with some crisper acids and brighter fruit.”  But she insists, “I don’t have a magic number.  I pick for ripeness and for balance.”  The still wines will then be transported to Napa, where renowned French winemaker Gerald Ployez will employ traditional methode champenoise techniques to bring them to effervescent life.  “He’s got all the equipment and the space,” says Mohseni, “and the knowledge.  His family has been making Champagne for generations.”

The public will get its first chance to taste through the three new Cork Jumper sparklers this Sunday, when Riverbench is featured as part of the monthly BYOB wine dinner series.  The event, which takes place at Max’s Cucina on Upper State Street, will pair the bubblies with a special selection of cheeses and a three-course meal (including a seafood and vegetable paella).  As is customary with these BYOB dinners, each attending couple is asked to bring an extra sparkling wine or two to share during this casual, family-style yet decidedly gourmet dining experience.  Limited seating remains.  Mohseni and Nagy will attend, and I’m looking forward to jumping over a few corks that night, myself.


BYOB-Riverbench Wine Dinner
Sunday, June 24, 2012, 6pm
Max’s Cucina, 3514 State Street, Santa Barbara
805-898-9121
$50/pp plus a bottle of sparkling wine to shareTin

Beers from Italy: Local Restaurant Pours Exclusive Brews

By Gabe Saglie
(published in the Santa Barbara News-Press on June 14, 2012)



Chef Alberto Morello, a proud Italian, makes no qualms about it.  “The Belgians and the Germans, and even the English, obviously have a head start on making these artisanal beers,” he says over lunch at his Olio Pizzeria in downtown Santa Barbara.  “But,” he adds, as he points to a chilled lineup of decorative glass bottles, “these have really been coming up in the last few years.”

Chef Morello and his wife, Elaine, launched Olio e Limone in 1999, and it’s become a gourmet standard for fresh, authentic Italian cuisine.  But the launch just two years ago of the Pizzeria – a stylish yet rustic and comfortable enoteca and bar right next door – has best afforded them the chance to introduce their clientele to a relatively new batch of artisanal Italian brews.  “Birra artiginale,” he calls them in his native tongue.

Available in both eateries, they fare best in the Pizzeria, where share-friendly items include pizzas, antipasti and a wide range of cheese and charcuterie dishes, and where the new lunchtime menu features a variety of salads, egg dishes and panini.  “In Italy, in the pizzerias, you mostly have beer, especially in the hot summers, and with pastas,” he says.   He admits that the American consumer often overlooks Italian beer for the country’s wide variety of food-friendly wines.  But his goal -- and it comes across as a genuine aspiration – is to have his clientele regularly reaching for beer, too. 

The Morellos’ current lineup of artisan brews includes 10 bottlings, and the chef says 10 other unique beers will soon be added to the list.  These crafted beverages don’t see any local distribution, currently; in fact, Mr, Morello drives to Los Angeles about once every five weeks to pick up cases as they reach the shore.  His two restaurants are exclusive carriers on the Central Coast of most every single one of these beers.

The labels are part of an admittedly new movement in Italy, which has seen the microbrew industry explode to more than 100 small producers in just the last few years.  Before then, Italian beer exports were dominated by a handful of much larger producers – Moretti and Peroni, mainly, both of which the Olio eateries also feature, at $6 and $7 a bottle, respectively.  “They’re good, mostly just refreshing,” the chef says, “with not too many flavors.”

But flavor may be one of the top selling points of the artisan selections that now dominate the Olio “birre” list.  The chef samples five of his favorites – they generally range between 4% and 8% alcohol – as he savors warm, just-out-of-the-oven pizza bread with prosciutto and a selection of fresh hamachi, tuna tartare and homemade linguini that head chef Francesco Pesce has just brought by.

The “Re Del Borgo” is an IPA (or India pale ale) from the Lazio region, near Tuscany.  It features an intense amber color but a refreshingly light and bright mouth feel.  Its flavors of orange and caramel are most intense upfront, and the finish is clean.  A 12.7-oz. bottle sells for $10.

“This is one of my favorites,” says Chef Morello as he pours the “Strade San Felice Grado” into a chilled glass.  It hails from the Piedmont region and is an earthier drink, with a creamy head, a soft nuttiness on the nose and a slightly honeyed palate.  The bottle, at 16.9 ounces, costs $13.

“There’s a lot more chestnut flavor in this one,” the chef insists with the “Malthus Birolla” from Lombardy, located west of Verona.  The beer is intense, rich and fruity – chestnut, vanilla and caramel grace the nose – yet smooth in the mouth and refreshing on the back end.  The 12.7-oz. bottle is on the list for $14.

Mr, Morello smiles as he pours the “Sella Del Diavolo” into a glass.  “The name of the label translates to ‘the saddler of the devil,’” he says of the amber ale crafted in Sardinia.  The beer is rich and complex, with roasted fruit and caramel notes and a smoky bitterness in the finish, yet with a light carbonation that makes it lithe in the mouth.  Fourteen dollars gets a 12.7-oz. bottle.

And then, the beer that pleases the chef most: the “Nora Birra Baladin” from Piedmont.  It’s made by Teo Musso, a winemaker’s son, whom Chef Morello describes as one of the superstars of the Italian microbrew movement.  Presented in a beautiful, 1-1/2 pint bottle for $21, it’s made from organic wheat and is balanced, brilliant and mouth-filling.  “This is more elegant, it has more finesse, and it’s very drinkable,” says the chef.

Chef Morello knows that price point plays a role in featuring these special brews on his menus.  “Look at this packaging,” says the chef, holding up the bottle of Baladin.  “Just the glass alone can cost one euro.”  He says he keeps his markup slim by design; the $21 Baladin means a $2 profit for the Morellos, not counting the expense involved with driving down the California coast to pick up their shipments.

“But it’s because I want people to try them” he insists.  “It’s the extra mile we go to offer novelty here and to make our customers happy.”


Olio Pizzeria and Olio e Limone Ristorante
11 W. Victoria Street, Santa Barbara
805-899-2699

Blog: A Day in Santa Barbara Wine Country With the Kids

Sunday, June 10, 2012

I’m no stranger to Santa Barbara wine country; I love the periodic winemaker visit or wine-driven meal with my wife.  But this being the first weekend of our kids’ summer vacation, wine was not on the agenda today.  Instead, we made the drive across the fog line on Highway 154 and – 40 minutes north of downtown Santa Barbara – drove onto Quicksilver Miniature Horse Ranch.  This property always draws stares from passers-by hopscotching through tasting rooms; the bonsai horses are an awesome sight.  We stopped by and tried and got lucky when we tried our luck at petting what must have been a couple of foals no more than a few days old.  The visit – free everyday from 10am to 3pm – is worth it for the kids’ oohs and aahs, and the dozen or so picture-worthy moments.

Solvang is a 5-minute drive away, and the Danish town (which celebrated its centennial just last year) offered us a chance to scoop up some ice cream and stroll through the busy streets laden with quirky shops and bakeries.  No stopping at any of the dozen-plus wine tasting rooms today.

We took Highway 246 toward Buellton and, five minutes later (and just before hitting Hitching Post II) found ourselves at the aptly named Ostrich Land.  A hundred birds in all – 80 ostriches and 20 emus – and, for $12, the chance for two adults and two kids to walk around with two serving trays of food.  Ostriches are not dainty eaters; some will peck aggressively at the food, so we had our wits about us.  But the kids got a real kick, and an education (ostriches are from Africa and emus hail from Down Under).  We held an ostrich egg – a hefty four pounds and the equivalent of two dozen chicken eggs when you crack them open – but left buying one for another time.

We made our way back home by taking the 101 South, though not before stopping by to hand-pick strawberries at Classic Organic; we accessed this farm by following the signs for Nojoqui Park, about four miles south of Buellton.  These berries were sparkling red, juicy and delicious.  Handpicking your own berries beats even the loftiest farmers’ market.  We picked three pints at $3 apiece and nabbed giant homegrown garlic for another buck. 

A fantastic afternoon – a five hour commitment in all – before arriving at home in quaint Carpinteria, where the sun sparkled bright on the beautiful blue Pacific.